影片名称：从今天到明天

影片别名：congjintiandaomingtian

关键词：从今天到明天 nbergoperafrom1929 FromTodayUntilTomorrowexploresonenightinanot quitelovelessmarriage.Ahusban 

上映时间：1997年

国家/地区：法国

影片语言：其它

IMDB链接：1783184134

豆瓣评分：5.0

影片类型：喜剧,音乐

导演：达尼埃尔·于伊耶 让-马里·斯特劳布 

主演：未知

视频集数：全集共1集

资源类别：正片全集未删减

总播放次数：816次

入库更新时间：2026-07-05 12:07:34

从今天到明天剧情：一见倾心BasedonanunknownSchönbergoperafrom1929,FromTodayUntilTomorrowexploresonenightinanot-quitelovelessmarriage.Ahusbandandwifereturnfromapartywhereshehasflirtedwithanotherman,whilehehascastanappraisingeyetowardanattractive,fashionablydressedacquaintanceofhiswife’s.Thougheachdreams,briefly,ofleavingthemarriagefortheexcitementandmysteryofanewlover,intheendtheydecidestabilityandcomfortaremoreimportantthanthefleetingthrillofnewromance.DirectorsJean-MarieStraubandDanièleHuillet,whopreviouslycollaboratedontwootherfilmsaboutmusic(TheChronicleofAnnaMagdalenaBach,1968,andMosesandAaron,1975),relyonlongfixedshotsinaustereblack-and-whitesothatthefocusremainsonthemusicalbrillianceofSchönberg’satonalscore,performedhereby70musicians.ThatSchönbergwouldchoosesucharelativelylightheartedmessageforhisnewlydiscoveredmusicallanguageremainsamystery,especiallysincetheconclusionreachedbythehusbandandwife—tostickwiththetriedandtrue—seemsdirectlyatoddswithSchönberg’sownphilosophyofcomposing.Itisjustthisjuxtaposition,however,coupledwithStraubandHuillet’sfaithfulpresentation,thatmakestheoperaacompellingadditiontotheSchönbergcanon—andthefilmsuchachallengingandintriguingexperience.一见倾心BasedonanunknownSchönbergoperafrom1929,FromTodayUntilTomorrowexploresonenightinanot-quitelovelessmarriage.Ahusbandandwifereturnfromapartywhereshehasflirtedwithanotherman,whilehehascastanappraisingeyetowardanattractive,fashionablydressedacquaintanceofhiswife’s.Thougheachdreams,briefly,ofleavingthemarriagefortheexcitementandmysteryofanewlover,intheendtheydecidestabilityandcomfortaremoreimportantthanthefleetingthrillofnewromance.DirectorsJean-MarieStraubandDanièleHuillet,whopreviouslycollaboratedontwootherfilmsaboutmusic(TheChronicleofAnnaMagdalenaBach,1968,andMosesandAaron,1975),relyonlongfixedshotsinaustereblack-and-whitesothatthefocusremainsonthemusicalbrillianceofSchönberg’satonalscore,performedhereby70musicians.ThatSchönbergwouldchoosesucharelativelylightheartedmessageforhisnewlydiscoveredmusicallanguageremainsamystery,especiallysincetheconclusionreachedbythehusbandandwife—tostickwiththetriedandtrue—seemsdirectlyatoddswithSchönberg’sownphilosophyofcomposing.Itisjustthisjuxtaposition,however,coupledwithStraubandHuillet’sfaithfulpresentation,thatmakestheoperaacompellingadditiontotheSchönbergcanon—andthefilmsuchachallengingandintriguingexperience.

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